Fall Cocktails in Atlanta

On a spectacular day watching the sun set from my perch at Top of the Mark in San Francisco I talked with my bartender about fall and the autumnal drinks I love so. Gone are the fruity, pastel, light drinks of summer. On the fall inspired cocktail menus are rich, spicy, dark concoctions meant to warm one from within. "What is your favorite?" He asked. I told him about Navarro Carr from The Sound Table and his perfect Toronto. This is where we switched proverbial places and I tended to him, instructing each delicious step along the way to my go-to fall elixir. He stirred, tasted, and declared it simple, yet intriguing.

We arrived at the subject of Atlanta bartending when I flipped through a dog-eared copy of San Francisco Magazine and spotted Jason Rager who recently moved from Atlanta and his post at Holeman and Finch Public House to San Francisco's AQ. Rager's Manhattan was a favorite fall (and all year) cocktail of mine with 110 proof Willett rye, Cocchi Vermouth di Torino, both Angostura and Regan's bitters, and a house-made cherry. I can never replicate it at home. Though he and Greg Best are gone, cocktails are still outstanding at this James Beard nominated Bar Program. The Ranier Expedition is a favorite of mine lately- High West Silver Oak, Imbue Petal and Thorn, Punt e Mes, Amargo Vallet (herbal, spicy liquor ), lemon bitters.


Top of the Mark Manhattan

Angela Manhattan at Miso Izakaya

 

My bartender tried his hand at a perfect Manhattan. It was good, but not a Jason Rager Manhattan or The Angela Manhattan Ronnie Le Claire makes at Miso Izakaya. The swizzle sticks were great though. San Francisco bars love their swizzle sticks. More swizzle sticks, more matchbooks, Atlanta! The conversation carried on and I talked about a fun week of trying fall cocktail menus in Atlanta with a friend. Follow along below.

Our cocktail adventure began with mixtress extraordinaire Kellie Thorn at Empire State South. I swooned over a Brief Encounter, all boozy with the strong spices of fall (Lion's Pride dark oat whiskey, Carpano, Antica Formula, barrel aged bitters) yet nostalgic for the summer that has gone  with a strawberry shrub from local strawberries of early summer. It was bewitching how it matched my enthusiasm for the coming cold at the loss of summer's bounty.

We moved to Abattoir for foie gras from chef Hector Santiago's Butcher's menu and a fall sipper. Bartender's choice: The Autumn Crisp from Ryan McLaughlin. It tasted like something you would want to sip from a thermos next to a fire and was gorgeous in the glass with a dried apple slice resting on the edge. Recipe here:

2 oz. American Spirit Whiskey
1 oz Cinnamon spiced iced tea (we use Harney and Sons)
1 oz Fresh squeezed Ellijay Apple Juice
¾ oz Honey Water (1 part honey to 1 part water)
2 bar spoons lemon juice
Dried apple slice - garnish

Combine all ingredients in a glass. Add ice. Add apple slice garnish.

From Abattoir we headed to Miso Izakaya to treat my out of towner to one of Atlanta's best cocktails: The Unsung Hiro. During the summer, it sips like a refreshing cooler but the magic of this concoction is its morphing ability.  The cool, crisp fall evening was equally matched by the rye, spicy ginger, and Lapsang Souchong infused sea salt that dances atop the hand cut cube of ice filling the glass. I declared this my favorite summer cocktail but I need to include it as a favorite fall sipper too.

 

Last stop for this particular evening is a favorite haunt- Proof and Provision. Small, dark, and undergroundish, you never know what kind of crowd will roll in here. Bartenders are solid, endearing, super creative, and most of all able to put up with whatever crowd floats in. See, across the street is the Fox Theater. I have witnessed dressed up for the ballet people ordering shots of Goldschlager (which P and P does not carry) and throngs of vest-wearing, PBR-ordering Mumford and Sons fans using words like "bespoke cocktail." The guys behind the bar don't flinch; they just roll with it. The crowd was weird this particular night but the drinks were solid. Fitting a fall evening as well as the end of a good day of sampling was The Firm Handshake, a menu staple. Redemption Rye, Leopold's Fernet, demerara syrup, bitters, and a smoky lapsang souchong tea-infused ice ball blend in perfect harmony of sweet and bitter.

 



As we walked into the stony cavern that is  Wrecking Bar, my friend from Las Vegas smiled and sat with "There is nothing like this in Vegas." I sipped a High West Campfire while he smiled happily with an  Elijah Craig 18 year. Behind the bar Ian Cox and Brian Ferraro kept the jokes coming while crafting classic cocktails. Ian made his Rye in the Dark, his mixture in the Taste of Atlanta Barcraft Competition. I will be ordering this perfect fall sipper with rye and Fernet for months to come.

sampling from the vast bourbon selection

We stopped at my favorite pre-Chastain spot before our concert, Food 101. The Goldentini was a nectarous barrel-aged mix of Troy and Sons Platinum whiskey, Lillet Blanc, and rhubarb bitters. It was perfect with the beef jerky chef Justin Keith shared with us as we discussed the merits of bevnaps at length.

Paul Calvert of Paper Plane has a Smith's inspired menu that blew me away. In a glass he managed to capture the essence of a song, the angst of youth, and autumnal flavors in one fell swoop. Big Mouth Strikes Again is a big mouthful of fall: bourbon, vermouth, cappalletti aperitif, bigallett china-china (made from sweet and bitter orange peels and spices), and bitters. Calvert arranges his cocktail menus from light to dark. This one lies appropriately on the bottom of the list. I have also had a few "There's a Light That Never Goes Out" this season. It never fails to delight my senses. The walnut paneled walls and comfy barstools never fail at soothing comfort either. Stepping into the space at Paper Plane feels at the same time habitual and enchanting, a perfect place to beguile time. We ended this evening with a walk through the tiny-light strewn courtyard to our cab.


The third evening was cool and we settled in for rabbit rillettes and cocktails at One Eared Stag which is a really cozy spot on a Sunday evening. I had a great autumn inspired drink but it was a bartender's choice so I don't have many details to spare other than Rye and cherry bitters, I think.

Final stop on our three day cocktail crawl is my new favorite in Atlanta, Kimball House. I am thoroughly  and profoundly enchanted with everything about Kimball House. I have frequented the many establishments that have held court in this building but none have filled the space with the grandeur it deserves. It is transportive stepping into Kimball House. On this particular rainy evening, the space was dazzling. I wanted to order caviar service and sip gin from the many vintage glasses as towers of oysters were presented. The outstanding oyster program is something that Atlanta has been missing. I look forward to seeing the menu filled with twenty or so fresh choices from around the US on Instagram each day. We didn't have any this evening but I did wax poetically about a night when I helped with a tower of fresh shells, each one shucked to perfection with no shell and ample sea water. This evening it was all about Miles McQuarrie's bar program and the nighttime ambiance that is the inside of an old train depot.

 

Mexican Razor Blade

We had a couple of Mexican Razor Blades-- tequila, sherry, lime, coconut, cinnamon, cayenne--spicy, smoky, and delicately layered with exotic flavors. The Bellman is another favorite with rye, Carpano Antica Formula vermouth, and many bitters.

 



The Bellman
 

So we ended a weekend worthy of the word epic filled with the joys of life and sweater weather concoctions. Our three days of conversations were lifted with those who delightfully entertain behind the bar. I have a list of places and barkeeps we missed. I will leave that to our next adventure.

 

Vieux Carré

my nerdy notebook doodle

 

With Carnival season coming to an end today, why not celebrate Fat Tuesday with a New Orleans inspired cocktail? Nothing captures the essence of the French Quarter in a glass more than a Vieux Carré [view-ka-ray]. Vieux Carré, which translates as "old square," the official name of 4 by 11 block area neighborhood on the crescent bend of the Mississippi river known as The French Quarter. The now classic cocktail was concocted by head bartender, Walter Bergeron, at the Swan Bar in the Hotel Monteleone in 1938 (now home of the revolving Carousel Bar).

Vieux Carré at Sprig

The Vieux Carré is a spirituous cocktail, a kind of Louisiana cousin of a Manhattan. Like the city of New Orleans itself, the cocktail is emblematic of the extensive blending of traditions and cultures within the city. The early inhabitants of New Orleans were Native American, French, African and Caribbean. Perhaps Mr. Bergeron meant this to be a tribute to the extensive blending and borrowing that influenced the food, music, language, culture, and architecture of this distinct city- The rye for the American influence, the cognac and Benedictine for the influence of the French, sweet vermouth for the Italian (I am sure there are plenty of Italians), the Angostura bitters for the Caribbean, and Peychaud's bitters for a homegrown ingredient.

Seven Lamps

Cocktail books differ slightly on ratios but most agree that the Vieux Carré is a cocktail meant to be built over ice in the glass in which it will be served. I have been ordering the classic cocktail around Atlanta and find it delicious on a winter evening whether built in the glass or strained into it. What is important is the vermouth. Using a high quality, sweet vermouth like Carpano Antica will temper the strong base spirits and not allow the blend to become too sweet. The herbaceous Benedictine further rounds out the flavors.

Vieux Carré at Empire State South

 By tasting the same cocktail at many places, you really get to know the balance and see the bits of individuality mixologists put in the glass. I have learned that many bartenders do not know this drink and those who do smile when you order it. Marc Caballero of Sprig Restaurant and Bar in Decatur did. I like it in a Manhattan style coupe glass, just as Bradley at The Optimist served it in, best.  It doesn't matter if the glass is chilled or not. I prefer it "up," but those large chunks of ice are always nice. David Chapman of Empire State South served a perfect version over a giant cube that never seemed to melt. His lemon twist was pretty incredible too. Next time Nate Shuman of Proof and Provision makes me one, perhaps he could include on of his lapsang souchon infused cubes. I like it with a flamed orange peel as garnish very much. The oils released bring very nice aromatics. The best garnish is a brandied cherry. Arianne Fielder of Seven Lamps made me a play on a Vieux Carré with walnut bitters and it was astonishingly good. I haven't had one made by Thomas McGuire of Prohibition yet but I look forward to it. I always get a history lesson with each cocktail (and I like it). Hands down favorite on my quest was from Mike Satusky at The Family Dog. He served it with High West Rye, Carpano Antica vermouth, tasty Cognac (I know nothing of cognacs), Angostura & Peychaud's bitters, Benedictine, and a brandied cherry on a stick "up" and in a rocks glass, no ice. We talked about Casablanca. A Vieux Carré goes very well with Casablanca.